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1. Wonder Woman


Oh. Hey. What happened? What’s goin’ on? How’re you?

So.

I realized today that it was exactly two years ago that I had started my initial Sketch-A-Day project. I worked on it for 369 (my brotha!) days straight and never missed a day. It was an incredibly productive year, if otherwise meaningless. It was tiring and hard, but I dug it. Most of all, the process got me out of a deep depression I had been in (Adam Hughes ruined my life. Read through the archives to find out all about it). When I stopped actively doing a sketch-a-day, I had big plans and was looking forward to taking my time on some art and maybe working on a more long-term project.

This last year has been the least productive of my life, and I am the laziest person I know.

Fuck.

I’m in that same funky depression I was in two years ago, but this time I don’t have Adam Hughes to blame. It’s all me, buddy.

So, I have a tumblr page where I re-post all my old art in chronological order. By absolute fucking coincidence, today’s post was my very first sketch-a-day drawing from two years ago. Exactly. Weird, right? But I had been thinking about that year. I kind of missed it. I was trying things and mostly failing, but I was trying. Drawing anything has been an absolute struggle in the past year, and it was because I was aimless.

Even though I would love to try making a comic or something, it’s an amorphous blob of an idea with a really loose goal, and that’s not a thing I’m good with. I am good with small goals. A drawing a day.

So I’m starting the sketch-a-day again. I need to up my output. The thing is, I know in my heart I need to think and work bigger, but I need to get off my ass first. So, this can’t just be random sketches. It will be, though, for a while. I’m still figuring it out right now.

But I know this: this isn’t only a year-long thing. I’m gonna try to keep going for as long as I can until I can figure out what I’m doing here.

Until that point, here are my rules (similar to the first go-round):

1) I will spend a minimum of 10 minutes on any sketch or drawing posted.
2) There will at least one color piece a week
3) Draw. Post it. Every day.

As with the last time, I will take requests. Also I will be working on getting my current list of commissions done, and still accepting new commissions.

Insanity begins anew!

Ok, PANIC!: Drawn Together


I don’t know what the fuck this is.

Nightwing


Old school, disco Nightwing. I don’t care, I dig the costume.

I also forced myself to draw this since I’ve been completely unproductive, unmotivated and unwilling to work on anything.

Ok, PANIC!: Popeye


Popeye Doyle eating Popeye’s chicken while looking for Popeye. Again, bad at likenesses, but this one goes deep.

Ok, PANIC!: Shapeshifters


I recently learned that Jack Kirby worked on the Turbo Teen cartoon. Blew my mind.

Ok, PANIC!: GWAR


Slymenstra Hymen

Ok, PANIC!: Star Wars Holiday Special

Hell, Blazed

NOTE: I wrote this about the loss of the comic HELLBLAZER and what that book means to me. However, since then, I have gone through a much worse and meaningful loss – the loss of a pet.

Max was a fat, quirky stray cat who came to live with my parents about six or seven years ago. He just showed up and never left. Since that time, one of the things I always looked forward to was seeing Max whenever I visited my folks (about once a week). He was the best part of housesitting for them when they went on vacation. I’ve never met a nicer, more laid-back, awesome cat.
I went to my parents house on Monday night, and he was just being Max. I went on Tuesday to discover that he suddenly passed away that afternoon. Pretty much out of nowhere. It’s been pretty rough for me and my family since then. It’s Thursday now, and I’m pretty much past the point of crying anymore, but it doesn’t make the loss or the hurt go away or any better. I’ve lost pets before, but it still doesn’t prepare you. I’ve lost family too and anyone who wants to tell me that pets are just animals can just stop right there. They mean just as much to the people who love them as the humans in their families. Sometimes more.

The point of this note is to remind people, in my own digress-y way, that the following “rant” is about entertainment. Whether you like comics, movies, tv shows, whatever, just remember that none of those things are ever necessary. They exist to entertain us and fill our time and to share an experience with others, but they are not important in the grand scheme of things. You may get some Star Wars movies you don’t like, but to get aggressive or overtly passionate about things like that is pointless. I may be mildly annoyed that FRANKENSTEIN: AGENT OF S.H.A.D.E is being cancelled, but in the end, they’re just comics.

Max was real, and he was loved and he loved. He will be greatly missed.
***
In the time I’ve been buying comics (the late 80s), the one series I have collected and read the longest was DC/Vertigo’s HELLBLAZER.

John Constantine was, no pun intended, the one constant in my life since about 1996. I was about 17. I was a huge fan of Garth Ennis’ “Preacher” and wanted to check out more work by him. I found “Hellblazer”. I started buying back issues at a rapid pace and added the book to my pull list at whatever shop I was buying at, at the time (probably FINAL FRONTIER, the shop right next door to my parents’ house). Paul Jenkins was working on the book at the time, along with Sean Phillips whose work so amazed me, he quickly became one of my all-time favorite artists. To this day, I will pretty much check out any book he draws. Ennis’ run is legendary, but I think Jenkins is criminally underrated on that book. I met Jenkins at a con about 10 years ago and had him sign a few “Hellblazer” books. With each book, he would tell an in-depth story about that issue. It was amazing. To this day, he remains the nicest creator I have ever met at a show.
I bought every back issue of “Hellblazer” within a year. Some were desperately hard to track (Neil Gaiman, Grant Morrison issues, most of Ennis’ issues). But I did it, because I was in love with that book and that character. Soon after, I went on a “Swamp Thing” hunt to get more of the character. John lived and breathed, and to this day, I’ve never felt any other character in any fiction is as fully realized as Constantine.

I am a person who fully believes in the motto “If you don’t like it, don’t buy it.” I don’t understand any person who buys a comic book because they’ve simply always bought that comic book. I bought “X-Men” and “Daredevil” comics for a very long time, and when they stopped being good, I stopped buying them. When they’re good again, I’ll buy them again. Even a book like “Savage Dragon” – a personal work made by a single creator, a single creator who has influenced my own art and vision of what comics are, a single creator whom I respect more than any other – when I stopped liking that book, I stopped buying it. I tore my heart out to do it, but I did it.

I’ve never stopped buying “Hellblazer”. I came close once, but it was short-lived. Every creator change on that book, while being a different point of view of Constantine and his world, was consistently good. What other work-for-hire, corporate comic can claim that? What other comic, any comic, can be pointed at and declared “Consistently Good”? They can’t all be gold, but at it worst, “Hellblazer” was still pretty good. And when the creators were firing on all cylinders? It was the best.

And now it’s being cancelled.

But that’s okay.

I’m okay with it.

At least, I’m going to convince myself it is.

I always assumed it was just a matter of time. Really, when Vertigo started losing the corporate-owned characters, it was just a waiting game. I’m surprised it took this long. But at least we’ve had Peter Milligan for a few years doing some top-notch work.

John Constantine is being folded into the DC Universe completely now. He’s been there for a while, but this is now the “Ultimates” version taking over for the “real” version. I still buy Justice League Dark, it’s a fine book. I have little to no interest in the new “Constantine” book though. I’ve never read anything by Robert Venditti, so I can’t judge that. Renato Guedes is a fantastic artist, but his work is very clean and very pretty – two things which should never even be near the name “John Constantine”.
I’m not upset. It’s just comics. They come, they go. At least he isn’t getting shot in the face and replaced by a latino teenager. But it will feel incredibly weird, empty, and little bit soul-less when my first “Hellblazer”-less comic shipment arrives.

I will miss the book, I will miss the character. I may not like the PG-rated version of him as much, but someone else might, and when they discover 300+ issues of an entire world exists beyond that, then maybe someone else’s life will be changed for the better, too.

Baron Von Porkchop’s Terrifying Tales of the Macabre HorrorHound 2012 Special


Once again under the employ of Mr. Matthew Brassfield, I was asked to come up with a cover for his television show, Terrifying Tales of the Macabre. The regular episodes of the show have season-centric templates designed by Bruce O. Hughes. Bruce also did the illustrations for Season 1, while Jeff Potter and Jesy Kessel worked on Season 2. Jason Young and I are working on Season 3 as I type. Occasionally, the Baron & company go on a field trip or do something crazy and there is a special episode in which a one-off cover design is made. So back in March when Baron Von Porkchop and Viola Poison went to the Horrorhound convention in Columbus, Matt asked if I could do the cover for that special episode.

Above is the cover without the text, below is the full design.